JEAN-LOUIS FLORENTZ ORGAN GRAND PRIX ACADÉMIE DES BEAUX-ARTS / 2022
FRENCH ACADEMY OF FINE ARTS / 2022
The French Academy of Fine Arts plays an important role in the musical world. It makes many annual awards, the most important of which are the Liliane Bettencourt Prize for Choral Music, the Simone and Cino del Duca Foundation Music Prize, the Pierre Cardin Music Prize and the Charles Munch–Academy of Fine Arts Prize.
These initiatives help the French Fine Art Academy to make a significant contribution to France’s musical life. To honour its statutory commitments to help and encourage young musicians, the Academy, prompted by Monsieur Arnaud d’Hauterives (their Perpetual Secretary) and Monsieur Jean-Louis Florentz (academician, organist and composer), decided in 2002 to award a Grand Prix for organists similar to awards made in other artistic disciplines. Since its inception, the Grand Prix has been organized by the Association pour la Connaissance, la Sauvegarde et la Promotion des Orgues du Maine-et-Loire (CSPO) (Association for the discovery, protection and promotion of organs in the Maine-et-Loire department), In partnership with the town of Beaufort–en-Vallée for the semi-final and the city of Angers for the final. It replaced the Concours National Inter-conservatoires (National Inter-Conservatory Competition) created in 1993 by the CSPO in Maine-et-Loire.
Encouragement of Young organists
Every year the Jean-Louis Florentz Organ Grand Prix, organised by the CSPO with help from the French Academy of Fine Arts and the Institut de France, provides an opportunity of helping to launch young artists of all nationalities on their professional careers.
- 2002 – Brice Montagnoux
- 2003 – Thomas Monnet
- 2004 – Lidia Ksiaskiewicz
- 2005 – Régis Prud’homme
- 2006 – Olivier Chardonnet
- 2007 – Saki Aoki
- 2008 – Gabriel Bestion de Camboulas
- 2009 – Louis-Noël Bestion de Camboulas
- 2010 – Maïko Kato
- 2011 – Virgile Monin
- 2012 – David Cassan
- 2013 – Benjamin Pras
- 2014 – Thomas Ospital
- 2015 – Karol Mossakowski
- 2016 – Thomas Kientz
- 2017 – Loriane Llorca
- 2018 – Emmanuel Culcasi
- 2019 – Pierre Offret
- 2021 – Quentin du Verdier
COMPETITION RULES – 2022
The Organ Great Price J-Louis FLORENTZ of French Academy of Fine Arts – 2022 will be presided by Mr François ESPINASSE, Organiste de l’église Saint-Séverin à Paris, professeur du Conservatoire National Supérieur de Musique de Lyon.
The jury is composed of organists, one member of Academy of Fine Arts, a representative from the Ministery of Culture and personalities from the musical world.
- François Espinasse, Président du Jury, organiste de l’Église St Séverin à Paris, professeur du Conservatoire National Supérieur de Musique de Lyon.
- Thierry Escaich, Compositeur, Membre de l’Académie des beaux-arts
- Guillaume Lamas, Directeur général de l’ONPL, Expert mandaté par Madame la Directrice Régionale des Affaires Culturelles
- Jean-Baptiste Urbain, Présentateur producteur de la Matinale de France Musique
- Valéry Aubertin, Compositeur
- Louis-Noël Bestion de Camboulas, lauréat du Grand Prix d’Orgue Jean-Louis Florentz 2009
- Marie-José Chasseguet, Organiste de la Cathédrale du Mans
- Shin-Young Lee, Organiste, concertiste internationale
- Benoît Mernier, Compositeur, Professeur au Conservatoire Royal de Bruxelles
1- General Conditions
Candidates must be under the age of thirty on 22 May 2022.
French candidates must have studied at either a Regional or Department Conservatoire, or the Paris National Academy of Music. They are also expected to provide proof that they have gained a DEM (Diploma of Musical Studies).
Foreign candidates must hold the equivalent of a DEM (the highest diploma awarded by an officially recognised Academy of Music from one of the French regions or departments).
The following documents must be sent to the CSPO before 15 January 2022 :
- The application form correctly filled in
- An audio CD or digital file recording of la Première Tierce en taille (du Livre I) de Louis MARCHAND et de Vers l’espérance (troisième des Poèmes – Ed.Billaudot) de Thierry ESCAICH (compulsory piece) with a signed attestation that the recording is the candidate’s own playing. Any editing will invalidate the candidate’s application.
- A full description of the instrument used
- An official certificate or diploma delivered by the Director of the candidate’s Music School or College
- A curriculum vitae, including the names of the candidate and organ teachers
> Sending of the registration form by post in: CSPO 34 avenue Jean Lurçat 49240 AVRILLE – FRANCE
> Sending of the registration form by email in: firstname.lastname@example.org
2- The Competition
Alf January 2022 the title of finale test piece will be published on our internet site www.printempsdesorgues.fr
At the end of January 2022, eight semi-finalists will be selected by the Festival Committee supervised by Jury members.
By mid-February 2022, all candidates will receive the results.
Each of the selected and present candidates for the semi-final will receive a 500-€ lump sum in compensation of its traveling costs and accommodation.
Successful candidates must inform the CSPO of their individual programme (10 minutes for the Semi-Final and 20 minutes for the Final) before the end of February.
For the semi-finale, the free program of each candidate must have a total playing time of 10mn maximum, and choose in the following list:
- Dietrich BUXTEHUDE : Praeludium en sol mineur Bux 150 (7’)
- Johann Sebastian BACH : Un des finals d’une Sonate en trio au choix
- Robert SCHUMANN : Une des esquisses au choix
- Louis VIERNE : Scherzo de la 2ème Symphonie (4’)
- Jehan ALAIN : Variations sur un thème de Clément Janequin (5’30’’)
For the finale, the free program of each candidate must have a total playing time of 20mn maximum, and choose in the following list, to obtain a program with various aesthetic and styles works:
- Louis-Claude DAQUIN : Noël I sur les jeux d’anche, sans tremblant (5’’)
- Johann Sebastian BACH : Fantaisie et fugue en ut mineur BWV 537 (8’’) ou Prélude et fugue en la mineur BWV (8’’)
- César FRANCK : Cantabile (6’’)
- Louis VIERNE : Final de la 4ème Symphonie (6’30’’)
- Maurice DURUFLÉ : Prélude et fugue sur le nom d’Alain (11’’)
The candidates will have one day of practice time (from 10.0am to 6.0pm) allocated per instrument without any assistance. An extra practice period will be provided before each competition with assistants authorised by the festival.
Grand Prix d’Orgue Jean-Louis Florentz – Académie des Beaux-Arts – 2022:
On the third Wednesday of November, the winning finalist of the Jean-Louis Florentz – French Academy of Fine Arts – 2022 Organ Grand Prix will be awarded a prize worth 4,500€ (four thousand, five hundred euros) in the prestigious setting of the Institut de France in Paris. They will also be offered several performance opportunities, including the church of la Madeleine in Paris… and in Angers at the Printemps des Orgues Festival: for the Nuit de l’Orgue (Organ night) and the Journées du patrimoine (Heritage days).
Prix de la Ville d’Angers:
The city of Angers will award a prize worth 1,000€ (one thousand euros) to the runner-up.
Prize Pierre Pincemaille awarded by the general public:
Members of the public who have attended the finals will be entitled to vote for a special prize for the organist of their choice. The city of Angers has agreed to provide 500€ worth of prize money for the occasion.
4 – Competition dates
Semi-final: Saturday 21 May 2022 – 3:00 PM – Beaufort-en-Vallée Church
8 The semi-finalists must play a ten-minute individual program chosen in a list proposed by the Jury (see §2) and followed by the compulsory pieces, Première Tierce en taille (du Livre I) de Louis MARCHAND et de Vers l’espérance (troisième des Poèmes – Ed.Billaudot) de Thierry ESCAICH.
After deliberation the members of the jury will name the four finalists who are expected to play at Le Mans Cathedral the next day.
The announcement will be made in the Salon d’Honneur at the town hall of Beaufort-en-Vallée.
Final: Sunday 21 May 2022 – 3:00 PM – the Cathedral of St Julien, Le Mans.
Each of the four finalists must play a twenty-minute program chosen in a list proposed by the Jury (see §2) , and the compulsory piece that will be announced in mid-January 2022, specially composed by Valéry AUBERTIN.
5 – Contacts
For questions about musical aspects of the competition, please contact
François-Henri Houbart, emeritus professor of Rueil-Malmaison Conservatoire: email@example.com
For administrative questions:
Maryvonne Fleury: +33 (0)6 34 24 19 80 or firstname.lastname@example.org